Mario Sanchez (1908-2005) Lecture Series Set for Nov. 22-26 at 2:00pm

The late Key West painter and folk artist Mario Sanchez continues documenting the fascinating history of the Southernmost City for collectors and art lovers.

Now, originals of Mario Sanchez intaglios – painted carved wood – that have never before been publicly exhibited have a home at The Gallery on Greene, 606 Greene St., in Key West.

Some of these newly discovered works came from estates of wealthy collectors while others were Dumpster finds.

Nance Frank, director of The Gallery on Greene, who spent 10 years with Sanchez and is his official curator, will present these newly released works in a new lecture series Nov. 22-26 at 2 p.m. each day at the gallery.

Sanchez certainly knew his subjects. He lived in Key West through more than half of its modern history and it was where he spent his entire life.

Frank’s expert knowledge on Sanchez’ subjects, the local Key West characters who live by the philosophy of “One Race, the Human Race,” is only deepened by her own roots to the island.

Frank was born in the same Key West neighborhood as Sanchez, whose acclaimed career spanned over 70 years, culminating in a one-man exhibit at prestigious museums in both New York and Havana, Cuba, and shares his devotion for the island.

One stunning example of Sanchez’ work recently come to light is Sunrise Gossip (18 x 34 Intaglio, 1970s).

The piece reflects Mario Sanchez’s charm, built upon his unshakable belief in the goodness of humanity.

Gossip and silver linings don’t usually mix. But Mario, the eternal optimist who expected the best in his compatriots, depicts everyone gossiping about a man in Sunrise Gossip.

The locals, at sunrise, have their fingers pointed and hands raised to mouths as they whisper about an act they believe took place. Sanchez lets the viewer determine the outcome but he offers some hints.

Above the fray, puffy white clouds bob in the sky, each lined in silver. It’s Sanchez reinforcing his philosophy that, whatever happens, there will always be a silver lining.

Rich in color, this pristine, vibrant Sanchez from the 1970s is packed with features: a silver rising sun, 11 people in five groups, twin two-story yellow houses, three luxuriant coconut palms, two diminutive royal Poinciana trees, three red hibiscus, three shimmering clouds, and two gray outhouses.

Above the scene atop the crushed marl street is the deep blue sky and Mario framed his piece in etched, stained brown wood.

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